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Marjan Hellraeth  |  Managing Director

Tel: +32 473 27 23 43

Email: marjan.hellraeth@aulos.be

 

Ann Geerts  |  Promotion & Administration

Tel: +32 478 87 94 17 

Email: ann.geerts@aulos.be

 

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Theatrum Affectuum

Producties Archief NL

Theatrum Affectuum

Marjan Hellraeth

Beschrijving

Theatrum Affectuum werd opgericht in 2003.
Het barokensemble bestaat uit vijf  uiterst virtuoze musici: ANDREAS BÖHLEN (blokfluit), AYAKO MATSUNAGA (barokviool), PIERRE-AUGUSTIN LAY (barokcello), TAKASHI WATANABE (klavecimbel) en GIANGIACOMO PINARDI (luit en barokgitaar).
Het ensemble spitst zich toe op het 17de- en 18de-eeuwse repertoire en benadert deze op een zeer persoonlijke wijze. De muzikanten besteden uitvoerig aandacht aan historisch geïnspireerde improvisatie, waardoor hun concerten steevast unieke ervaringen zijn.

Programma's

1. La follia e la malinconia

Georg Friedrich Händel (1685-1759)
Concerto a quattro in d minor for recorder, violin, violoncello and basso continuo
Adagio – Largo – Allegro
(probably composed in Ansbach, around 1715)
 
Arcangelo Corelli (1653- 1713)
Sonata III, per violino solo e basso continuo
from: Sonate a Violino e Violone o Cimbalo, opera quinta, Rome, 1700
 
Paolo Benedetto Bellinzani (1690-1757)
Sonata XII for recorder and basso continuo
Largo - Allegro - Cembalo solo per il respiro del flauto - Follia
from: Sonate a Flauto solo con Cembalo, o Violoncello, opera terza, Venice, 1720
 
Georg Friedrich Händel (1685-1759)
improvisations on the aria Lascia ch’io pianga
from: Rinaldo, HWV 7
 
Georg Philipp Telemann (1681-1767)
Trio sonata in d minor, TWV 42:d10
Allegro - Adagio - Allegro - Presto
 
--- intermission ---
 
Francesco Geminiani (1680-1762)
Sonata II for cello and basso continuo
Andante - Presto - Adagio - Allegro
from: Sonates Pour le Violoncelle et Basse Continue, Paris, 1746
 
Improvisations on the Ground Basses Johney Cock thy Beavor and Paul’s Steeple
from: The Division Flute, London 1706/1708
 
William Babell (ca.1690-1723)
Aria „Vo' far Guerra” for harpsichord
(as sung by Signora Pilotti in the opera Rinaldo by Haendel)
from: Suites of the Most Celebrated Lessons, London, 1717
 
Antonio Vivaldi (1678- 1741)
Concerto in F major, RV 100 (Venice, c.1720)
Allegro – (Largo) – Allegro

2. Nicola Matteis: Most Ravishing Things

In 2015 verscheen bij Aeolus de recentste CD van Theatrum Affectuum, waarin de Napolitaanse componist en virtuoze improvisator Nicola Matteis centraal staat.

Ayres in G - Nicola Matteis
Morlake Ground voor klavecimbel - John Blow
Adagio – Burlesca (Ayres for the Violin: The third part, London) - Nicola Matteis
Ayres in F - Nicola Matteis
Thro’ the Wood Laddie (A Collection of Old Scots Tunes) - Francesco Barsanti
Aria for the Flute (Ayres for the Violin: The third and fourth part, Londen, 1685/1687) - Nicola Matteis
Ayres in e (Ayres for the Violin: The third and fourth part, Londen, 1685/1687)  - Nicola Matteis
Clout the Caldron (A Collection of Old Scots Tunes (Edinburgh, +/-1740) - Francesco Barsanti
Ayres in d (Ayres for the Violin: The third and fourth part, Londen, 1685/1687) - Nicola Matteis

3. Concerti Napolitani Virtuoso

Alessandro Scarlatti (1660-1725)
Sonata XXIII, Do maggiore, per Flauto, due violini e bassi.
Adagio – Fuga – Adagio - Allegro

Nicola Porpora (1686-1768)
Concerto II, Do maggiore, per due violini e basso continuo.
Adagio – Allegro – Affetuoso – Allegro

Alessandro Scarlatti
Sonata VII, Re maggiore, per Flauto, due violini e bassi.
Allegro – Adagio – Fuga – Largo – Allegro

Alessandro Scarlatti
Toccata per Cembalo o Organo in A (con Partita alla Lombardia e Fuga)

Francesco Mancini (1672-1737)
Sonata quarta, la minore per Flauto e basso continuo.
Spirituoso – Largo – Allegro (molto) – Largo – Allegro spiccato

Francesco Mancini
Sonata XVII, la minore, per Flauto, due violini e bassi.
Allegro - Andante – Spiritoso – Largo – Allegro